I was particularly struck by Sargent's varied palette using the following techniques:*
- masterful use of white and tight cropping
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White Ships, circa 1908 |
- washed edges of paintings
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A Tramp, circa 1904–6. |
- experimental wax resists to the paint
- thick gouache, white zinc in the watercolor
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The Cashmere Shawl, circa 1911. |
- dark backgrounds allowing foregrounds to pop
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Villa di Marlia, Lucca: A Fountain, 1910. |
Then, thanks to exhibit savvy, I found moments immersed in "Sargent's studio." The exhibition had mini screens next to select paintings showing videos of how Sargent would have painted the very painting next to it. I really had an appreciation for the craft and a better understanding of Sargent's varied techniques!
What a great show! Plus, I walked around a Farmer's Market - one whiff of the lavender, a glimpse of the Memorial Arch and I found myself off again . . . Wait? Was I Paris? Was I in Brooklyn? Sacré Bleu! A bientot!
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The Soldiers and Sailor's Memorial Arch, Brooklyn |
*Brooklyn Museum's Creative Commons Page, grants the use of their work/photos which are posted.
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