There is a thread of a story behind these images. . . But I'll keep up the intrigue and say these characters are trapped and have their roles to play.
Enjoy!
Wednesday, March 13, 2013
New Paintings
Hello Everyone:
There is a thread of a story behind these images. . . But I'll keep up the intrigue and say these characters are trapped and have their roles to play.
Enjoy!
There is a thread of a story behind these images. . . But I'll keep up the intrigue and say these characters are trapped and have their roles to play.
Enjoy!
Friday, March 1, 2013
Saturday, February 23, 2013
Friday, February 8, 2013
Shapes Exercise
I quickly penciled this wonderful exercise from Matt Madden and Jessica Abel's newest publication. You can find Mastering Comics just about any where.
In a nutshell, the exercise is this:
1- start with a page full of 6 panels. Draw abstract shapes in each panel. Don't think about it too much.
2- Next, carve out a scene and a story from each panel. Use the abstract shapes you created to guide you.
3- Add details and voila!
A bientot!
*Yes, the narrative in the first two panels are from Pink Floyd's Comfortably Numb. To be specific, the song came from the collaborative genius of Roger Waters and David Gilmour. Why I started thinking of them while I did this, that's another post . . .
In a nutshell, the exercise is this:
1- start with a page full of 6 panels. Draw abstract shapes in each panel. Don't think about it too much.
2- Next, carve out a scene and a story from each panel. Use the abstract shapes you created to guide you.
3- Add details and voila!
A bientot!
*Yes, the narrative in the first two panels are from Pink Floyd's Comfortably Numb. To be specific, the song came from the collaborative genius of Roger Waters and David Gilmour. Why I started thinking of them while I did this, that's another post . . .
Friday, February 1, 2013
Dolphin Spice
I've done some more spice paintings and this time, I tried to do something slightly representational. And, instead of using spicy spices, I used up an old bottle of Chinese 5 spice mix. Which, with the cinnamon and everything, smelt wonderful.
If any one has any spices they'd like to donate to my cause, I would greatly appreciate it. Right now, my best source is the Indian market, which is a lovel visit, but really, quite a drive!
A bientot!
ps- to find out how I create spice paintings, go here: http://writeinkpaint.blogspot.com/2012/03/letting-loose.html
If any one has any spices they'd like to donate to my cause, I would greatly appreciate it. Right now, my best source is the Indian market, which is a lovel visit, but really, quite a drive!
A bientot!
ps- to find out how I create spice paintings, go here: http://writeinkpaint.blogspot.com/2012/03/letting-loose.html
Monday, December 17, 2012
Tomie DePaola Award
I recently entered the 2013 Tomie DePaola Award Contest. The criteria was to pick an excerpt from either Little Women, Huckleberry Finn or The Yearling.
After I read Little Women, I did some preliminary sketches based on some scenes I liked. I focused on what I thought the character would look like.
But I didn't want to go for the obvious- Jo in her attic working away, the sisters gathered around sewing and chatting, etc... I wanted to capture a moment in the story that reflects deep emotional bonds between the characters, the sincere joy of the story and the charm of the era in which Little Women was written in. The Christmas party when Laurie and Amy fall in love I thought the perfectly seasonal moment.
After a little research on late 1800s costumes, I drew. I inked. I painted.
Here's my submission:
You can view the unofficial gallery of incredible entries from the contest here: http://scbwicontest.blogspot.com/
What a talented group. I wish we could all win. Bonne chance to everyone!
After I read Little Women, I did some preliminary sketches based on some scenes I liked. I focused on what I thought the character would look like.
But I didn't want to go for the obvious- Jo in her attic working away, the sisters gathered around sewing and chatting, etc... I wanted to capture a moment in the story that reflects deep emotional bonds between the characters, the sincere joy of the story and the charm of the era in which Little Women was written in. The Christmas party when Laurie and Amy fall in love I thought the perfectly seasonal moment.
After a little research on late 1800s costumes, I drew. I inked. I painted.
Here's my submission:
You can view the unofficial gallery of incredible entries from the contest here: http://scbwicontest.blogspot.com/
What a talented group. I wish we could all win. Bonne chance to everyone!
Thursday, December 13, 2012
SCBWI Portfolio Review Night
I attended the SCBWI Portfolio Review Night at New York City's lovely Anthroposophical Society.
When I checked in, there were a few names in the lottery basket. My hopes were high. In a few minutes, the host was going to pull out three names which their portfolios would be reviewed by Art Direct Lucy Ruth Cummins of Simon and Schuster and Senior Designer Kerry Martin of Clarion Books.
I settled into my seat and scoped out my competition. They all seemed like decent tax paying folk. The room wasn't too full, my odds were high. The event was underway and I was riveted by Kerry and Lucy's presentations. Kerry reviewed Deb Lucke, the author illustrator who I took a class with. Next she mentioned Daniel Salimieri's work. Both his books are on my nightstand. I began to wonder if the stars were aligned for me on this night. I also heard about the style of art the publishers were interested in, some behind the scenes stories and how Lucy and Kerry work with illustrators.
Then, the names were picked. I thought I heard "Helen" but it was really "Ellen" and some other illustrators that weren't me. Tant pis, as the french say. Which means too bad but without the sense of trepidation that is associated in the English language.
Instantly, my competition became my community and it was fascinating to hear Lucy and Kerry critique the portfolios. The feedback was clear, analytical and practical. It was a lively discussion between the pickee, the publishers and the audience. Some takeaways were to:
- Vary my color palette
- Develop my lettering
- Rotate the pieces in your portfolio, keep it fresh
I asked about Lucy and Kerry's pet peeves. Kerry is occasionally put off by unorganized portfolios that have work shown in landscape and portrait orientations as well as illustrators that show only a few pieces (show at least 8). Kerry mostly objects to in accurately drawn hands and anatomy (she urged us all to go to life drawing classes).
It was a great evening and I am very thankful for Bridget Casey, SCBWI NY Co-Regional Advisor, and the other the organizers of the event. I learned a good deal of information. And, if you'd like to see what I had prepared for the evening, please review a sampling of my latest portfolio here. A bientot!
When I checked in, there were a few names in the lottery basket. My hopes were high. In a few minutes, the host was going to pull out three names which their portfolios would be reviewed by Art Direct Lucy Ruth Cummins of Simon and Schuster and Senior Designer Kerry Martin of Clarion Books.
I settled into my seat and scoped out my competition. They all seemed like decent tax paying folk. The room wasn't too full, my odds were high. The event was underway and I was riveted by Kerry and Lucy's presentations. Kerry reviewed Deb Lucke, the author illustrator who I took a class with. Next she mentioned Daniel Salimieri's work. Both his books are on my nightstand. I began to wonder if the stars were aligned for me on this night. I also heard about the style of art the publishers were interested in, some behind the scenes stories and how Lucy and Kerry work with illustrators.
Then, the names were picked. I thought I heard "Helen" but it was really "Ellen" and some other illustrators that weren't me. Tant pis, as the french say. Which means too bad but without the sense of trepidation that is associated in the English language.
Instantly, my competition became my community and it was fascinating to hear Lucy and Kerry critique the portfolios. The feedback was clear, analytical and practical. It was a lively discussion between the pickee, the publishers and the audience. Some takeaways were to:
- Vary my color palette
- Develop my lettering
- Rotate the pieces in your portfolio, keep it fresh
I asked about Lucy and Kerry's pet peeves. Kerry is occasionally put off by unorganized portfolios that have work shown in landscape and portrait orientations as well as illustrators that show only a few pieces (show at least 8). Kerry mostly objects to in accurately drawn hands and anatomy (she urged us all to go to life drawing classes).
It was a great evening and I am very thankful for Bridget Casey, SCBWI NY Co-Regional Advisor, and the other the organizers of the event. I learned a good deal of information. And, if you'd like to see what I had prepared for the evening, please review a sampling of my latest portfolio here. A bientot!
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